Promises Broken was the best of The 4400 Novels. While I had a number of reservations about some of the plot and character decisions, that should probably be expected from a huge mega-fan of the TV show such as myself. All in all, it was a good conclusion to the story of The 4400, and I'm glad to have been able to read it.
Before laying out my complaints about the story, I should reiterate that I really enjoyed the book and that towards the end I absolutely couldn't put it down. It's only because I followed the TV show so closely and with such enthusiasm that I find myself let down by some of the directions that the story took.
The remainder of this text will contain serious SPOILERS for the book, so if you don't want many of the major plot points to be ruined, please stop reading here.
I really dug Shawn Farrell's apotheosis, by which I mean the culmination and realization of his full powers. His healing has always been an amazing ability, but the further evolution of his abilities is truly awesome, and I very much enjoyed it. I also really like the fact that in a series with so many factions and so many grey shades, Shawn retains the moral high ground through the entire series.
Maia is another character who I felt was really well-written in this book. She's just become a teenager, and the rift between her and her mother, especially in such an extreme situation as this, felt quite verisimilar.
I missed Kevin Burkhoff and Tess Dornier. They were some of my favorite characters in the show, due largely to Jeffrey Combs and Summer Glau. Kevin Burkhoff also spearheaded so many drastic plot developments in the show, from the discovery of promicin to the inhibitor scandal to the unfinished plot about the promicin compatibility test. That's another of my gripes - the loose plot thread having to do with Dr. Burkhoff's promicin compatibility test.
Another issue I had is with Jordan Collier's drastic paradigm shift. In the show, he believed strongly in "a single generation of sacrifice", meaning that he believed that fifty percent of the world's population should die so that everyone could have promicin abilities. This is why he dubbed the "fifty/fifty" incident in which thousands died "The Great Leap Forward". But in this book, he entirely retracts those opinions in favor of a more moderate view, leaving Kyle Baldwin to be the extremist, fueled by Cassie Dunleavy (his promicin power). And whereas Kyle had so often disagreed with Cassie in the TV series, he seemed far more controlled by her in this book. This really bothered me at first, as the transition seemed jarring, but as the Kyle/Cassie conflict reached its culmination at the book's ending, I accepted it since it played out so well. I just wish I could have learned more about Cassie's origins and motivations. I'd always imagined her as a projection from the future, and pictured Kyle's ability as a two-way communication channel with the future.
I also found the decision of the three remaining Marked characters as a bit puzzling. Sure, they're villains, but I don't see how they could think that their genocidal actions could benefit their future in any way. Their motivations and their thinking is just opaque, and they're simply spiteful villains.
The book's ending was nice, but the final chapter - about two and a half pages - was very odd. The story of The 4400 had reached a fitting conclusion, and then the author tacked on an "it's not over!" ending. I don't see the need.
Lastly, Tom Baldwin's power. Since such a big deal had been made of its importance in the television series, I'd thought about it quite a lot and come up with two different possibilities, either of which could have worked very well. I found the author's vision of Tom's power to be quite disappointing. Tom's entire importance comes down to a single moment - being in the right place at the right time. And while his presence does indeed save the world, the world could just as easily have been saved by any normal person in the right place at the right time - something quite easily arranged by someone with future knowledge. In short - I didn't buy it.
What I'd have liked to see as Tom Baldwin's power is the ability to view moments from the past. As things progressed and his powers grew, he would realize that he could also transport people and items to and from the past. And as you may have guessed, in his old age he would be the one to retrieve The original 4400 from their places in the past and then deliver them to Seattle. That would aptly explain his importance.
Another thing I thought would have been a nice twist is that "the prophecy" was lying in an attempt to kill Tom Baldwin, and in a critical moment, Kevin Burkhoff's promicin compatibility test would show that taking promicin would in fact kill Tom. If the show had remained on the air, that would have been a nice moment.
All in all, I did enjoy the book. It had more drama and more earth-shaking events than the other 4400 novels, and that's really what I'd wanted all along.
11/22/63, by Stephen King | |
A Memory of Light, by Robert Jordan and Brandon Sanderson | |
Academ's Fury, by Jim Butcher | |
Acts of War: Flashpoint, by Aeryn Rudel | |
All You Need Is Kill, by Ryosuke Takeuchi | |
Altered Carbon, by Richard Morgan | |
Amber Spyglass, The, by Philip Pullman | |
American Gods, by Neil Gaiman | |
Amped, by Daniel H Wilson | |
Anguished Dawn, The, by James P. Hogan | |
Armada, by Ernest Cline | |
Artemis, by Andy Weir | |
Axis, by Robert Charles Wilson | |
Batman: No Man's Land, by Greg Rucka | |
Battle Circle, by Piers Anthony | |
Battlefield Earth, by L. Ron Hubbard | |
Beasts of Barakai, The, by Mickey Zucker Reichert | |
Best of Lester Del Rey, by Lester Del Rey | |
Black Monday, by Scott Reiss | |
Blackout, by Mira Grant | |
Blood Rites, by Jim Butcher | |
Brief Cases, by Jim Butcher | |
Brisingr, by Christopher Paolini | |
Broken Angels, by Richard K. Morgan | |
Captains Fury, by Jim Butcher | |
Catch Me If You Can, by Frank Abagnale | |
Caught in Crystal, by Patricia C. Wrede | |
Cell, by Stephen King | |
Changes, by Jim Butcher | |
Children of Time, by Adrian Tchaikovsky | |
Clash of Kings, by George R. R. Martin | |
Cold Days, by Jim Butcher | |
Contact, by Carl Sagan | |
Cordelia's Honor, by Lois McMaster Bujold | |
Cradle of Saturn, by James P. Hogan | |
Curious Incident of the Dog in the Night Time, The, by Mark Haddon | |
Cursors Fury, by Jim Butcher | |
Dance with Dragons, by George R. R. Martin | |
Dark Convergence, by Dave Gross | |
Daughter of the Sun, by Lonnie Ezell | |
Dead Beat, by Jim Butcher | |
Deadline, by Mira Grant | |
Death Masks, by Jim Butcher | |
Deception Point, by Dan Brown | |
Decipher, by Stel Pavlou | |
Digital Fortress, by Dan Brown | |
Dragon and the George, The, by Gordon Dickson | |
Dune, by Frank Herbert | |
Eldest, by Christopher Paolini | |
Eragon, by Christopher Paolini | |
Existence, by David Brin | |
Eye of the World, The, by Robert Jordan | |
Feast For Crows, by George R.R. Martin | |
Feed, by Mira Grant | |
Feedback, by Mira Grant | |
Fight Club, by Chunk Palahntuk. | |
First Lords Fury, by Jim Butcher | |
Flashforward, by Robert J. Sawyer | |
Flightless Falcon, by Mickey Zucker Reichert | |
Fool Moon, by Jim Butcher | |
Footfall, by Larry Niven and Jerry Pournelle | |
For The Win, by Cory Doctorow | |
Forensic Files of Batman, by Doug Moench | |
Foundation, by Isaac Asimov | |
Frankenstein, Book One: Prodigal Son, by Dean Koontz | |
Frankenstein, Book Two: City of Night, by Dean Koontz | |
Frankenstein: Book Three: Dead and Alive, by Dean Koontz | |
Furies of Calderon, by Jim Butcher | |
Game of Thrones, by George R. R. Martin | |
Gathering Storm, The, by Robert Jordan and Brandon Sanderson | |
Genesis of Shannara: Armageddon's Children, by Terry Brooks | |
Genesis of Shannara: Elves of Cintra, by Terry Brooks | |
Ghost Story, by Jim Butcher | |
Godslayer, by Mickey Zucker Reichert | |
Golden Compass, The, by Philip Pullman | |
Golden Son, by Pierce Brown | |
Grave Peril, by Jim Butcher | |
Great Train Robbery, by Michael Crichton | |
Gypsy Morph, The, by Terry Brooks | |
High Druid of Shannara Series, by Terry Brooks | |
His Majesty's Dragon, by Naomi Novik | |
Homeland, by Cory Doctorow | |
I Am Legend, by Richard Matheson | |
In God We Trust, by Jean Shepherd | |
In Thunder Forged, by Ari Marmell | |
Inheritance, by Christopher Paolini | |
Into The Storm, by Larry Correia | |
Into the Wild, by Larry Correia | |
Invaders Plan, The, by L. Ron Hubbard | |
Invasive Species, by Joseph Wallace | |
Jumper, by Steven Gould | |
Jurassic Park, by Michael Crichton | |
Kingdom Come, by Elliot S. Maggin, Mark Waid, Alex Ross | |
Last of the Renshai, by Mickey Zucker Reichert | |
Legend of Nightfall, The, by Mickey Zucker Reichert | |
Legend That Was Earth, The, by James P. Hogan | |
Leviathan Wakes, by James S. A. Corey | |
Little Brother, by Cory Doctorow | |
Live Free or Die, by John Ringo | |
Magician King, The, by Lev Grossman | |
Magicians Land, by Lev Grossman | |
Magicians, The, by Lev Grossman | |
Makers, by Cory Doctorow | |
Map of Bones, by James Rollins | |
Master of the Five Magics, by Lyndon Hardy | |
Morning Star, by Pierce Brown | |
Murder on the Orient Express, by Agatha Christie | |
Name of the Wind, The, by Patrick Rothfuss | |
Next, by Michael Crichton | |
Nor Crystal Tears, by Alan Dean Foster | |
Oathbringer, by Brandon Sanderson | |
Old Man's War, by John Scalzi | |
Paranormals, by Christopher Andrews | |
Parasite, by Mira Grant | |
Phylogenesis, by Alan Dean Foster | |
Pirate Cinema, by Cory Doctorow | |
Postman, The, by David Brin | |
Prey, by Michael Crichton | |
Princeps Fury, by Jim Butcher | |
Proven Guilty, by Jim Butcher | |
Ready Player One, by Ernest Cline | |
Red Rising, by Pierce Brown | |
Red Shirts, by John Scalzi | |
Return of Nightfall, by Mickey Zucker Reichert | |
RoboGenesis, by Daniel H. Wilson | |
Robopocalypse, by Daniel H. Wilson | |
Robot Uprisings, by Daniel H Wilson | |
Runelords, by David Farland | |
Secret of the 6th Magic, by Lyndon Hardy | |
Seventh Son, by Orson Scott Card | |
Shift, by Hugh Howey | |
Side Jobs, by Jim Butcher | |
Skin Game, by Jim Butcher | |
Sleeping Dragon, The, by Joel Rosenberg | |
Sleeping Giants, by Sylvain Neuvel | |
Small Favor, by Jim Butcher | |
Snow Crash, by Neal Stephenson | |
Soon, I Will Be Invincible, by Austin Grossman | |
Sovereign Era: Year One, by Matthew Wayne Selznick | |
Spin, by Robert Charles Wilson | |
Stand, The, by Stephen King | |
Starship Troopers, by Robert Heinlein | |
Starswarm, by Jerry Pournelle | |
State of Fear, by Michael Crichton | |
Storm Front, by Jim Butcher | |
Storm of Swords, by George R.R. Martin | |
Subtle Knife, The, by Philip Pullman | |
Summer Knight, by Jim Butcher | |
Sword of Shannara, by Terry Brooks | |
Swords Against Deviltry, by Fritz Leiber | |
The 4400: Promises Broken, by David Mack | |
The 4400: The Vesuvius Prophecy, by Greg Cox | |
The 4400: Welcome to Promise City, by Greg Cox | |
The Blood of Kings, by Douglas Seacat | |
The Circle, by Dave Eggers | |
The Flash: Stop Motion, by Mark Schultz | |
The Fold, by Peter Clines | |
The Hive, by Chris Berman | |
The Mark of Caine, by Miles Holmes | |
The Martian, by Andy Weir | |
The Three-Body Problem, by Cixin Liu | |
The Way of Caine, by Miles Holmes | |
Time Travelers Wife, The, by Audrey Niffenegger | |
Timescape, by Gregory Benford | |
Towers of Midnight, by Robert Jordan and Brandon Sanderson | |
Turn Coat, by Jim Butcher | |
Twilight Eyes, by Dean Koontz | |
Two Faces of Tomorrow, The, by James Hogan | |
Uprooted, by Naomi Novik | |
Waking Gods, by Sylvain Neuvel | |
Way of Kings, The, by Brandon Sanderson | |
White Night, by Jim Butcher | |
Wild Cards, by George R.R. Martin | |
Wise Man's Fear, by Patrick Rothfuss | |
Wizard's First Rule, by Terry Goodkind | |
Woken Furies, by Richard K. Morgan | |
Wool, by Hugh Howey | |
Words of Radiance, by Brandon Sanderson | |
World War Z, by Max Brooks |